Primeval Gods [One of 25 copies with a set of eight separate Blair Hughes-Stanton engravings enclosed in pocket at rear].





Book Description
SANDFORD, Christopher. Primeval Gods. Np (London): Boar’s Head Press 1934. Illustrated by Blair Hughes-Stanton. One of a limited edition of 150 copies published for subscribers only, each numbered and signed by the author, of which copies No. 1-25 are specially bound and contain a separate set of the engravings. This is copy no 4 of those specially bound and with the separate set of engravings. Typeset in Eric Gill's Perpetua. Bound in quarter vellum, with cloth covered boards; title printed on spine in gilt and top edge also gilt. With gold end-papers. Some general soiling from handling to covers and end-papers, mark on ffep, some occasional foxing spots to fore-/bottom-edges; internally a Very Good fresh copy indeed. The eight engravings contained in rear pocket (7 illustrations and 1 title vignette) are in Fine condition.
Dealer Notes
Note: Each of the separate illustrations measures 13cm x 10cm, the title vignette measures 6cm x 10cm, all are printed on thin Japon.
Blair Hughes-Stanton was a major figure in the English wood-engraving revival in the twentieth century. One of the most technically accomplished British artists he was celebrated for his exceptional skills in the art of engraving. In 1938 he won the prestigious International Prize for Engraving at the Venice Biennale. William McCance who worked with Hughes-Stanton said of him, ‘He was an expressionist…but to find an expressionist who is able to take an intractable medium like wood engraving and make it a flexible instrument for his fancy and sensuous flights is unique.’
Christopher Sandford was also a book designer. He ran the Boar’s Head Press at Manaton in Devon in the early nineteen thirties, from which he issued a number of books, mainly by contemporary authors and many of them with wood-engravings by his wife Lettice Sandford. Sandford was also a founding director of the Folio Society.
Blair Hughes-Stanton was a major figure in the English wood-engraving revival in the twentieth century. One of the most technically accomplished British artists he was celebrated for his exceptional skills in the art of engraving. In 1938 he won the prestigious International Prize for Engraving at the Venice Biennale. William McCance who worked with Hughes-Stanton said of him, ‘He was an expressionist…but to find an expressionist who is able to take an intractable medium like wood engraving and make it a flexible instrument for his fancy and sensuous flights is unique.’
Christopher Sandford was also a book designer. He ran the Boar’s Head Press at Manaton in Devon in the early nineteen thirties, from which he issued a number of books, mainly by contemporary authors and many of them with wood-engravings by his wife Lettice Sandford. Sandford was also a founding director of the Folio Society.
Author
SANDFORD, Christopher/ Blair HUGHES-STANTON.
Date
1934.
Binding
Bound in quarter vellum, with cloth covered boards.
Publisher
Np (London): Boar’s Head Press.
Illustrator
Illustrated by Blair Hughes-Stanton.
Condition
See description.
Friends of the PBFA
For £10 get free entry to our fairs, updates from the PBFA and more.
Please email info@pbfa.org for more information